Oudmigrations is a research project dedicated to the journeys of ouds, their histories, and the stories attached to their makers, players, and owners. The first Oudmigrations concert series took place in Rome, thanks to the generous support of ISMEO (Associazione Internazionale di Studi sul Mediterraneo e l’Oriente) and hosting by the Biblioteca Vallicelliana. They explored Read more…
A concert of Ottoman court music along with my song cycle “Sing no Sad Songs with Me”, in the elegant Reid Concert Hall of Edinburgh University.
Un “Liederkreis” tra il Tamigi e il Bosforo Sonorità lontane tessute con ricordi di donne Poesie di Christina Rossetti Musiche di Rachel Beckles Willson Musicisti: Rachel Beckles Willson (voce, oud), Ciro Montanari (tabla), Kostas Tsarouchis (contrabbasso), Evgenios Voulgaris (yayli tanbur) ‘Sing no Sad Songs for Me’ nasce dall’incontro tra la poesia Read more…
A song-cycle connecting the Bosphorus and the Thames – resonances woven through the memories of women Poetry by Christina Rossetti Music by Rachel Beckles Willson Performers: Rachel Beckles Willson (vocals, oud), Ciro Montanari (tabla), Kostas Tsarouchis (double bass), Evgenios Voulgaris (yayli tanbur) ‘Sing no Sad Songs for Me’ connects the Read more…
Sing no Sad Songs for Me – a cycle of pieces after the poetry of Christina Rossetti. For voice, oud, yayli tanbur, double-bass and tabla Premiered at St Ethelburga’s Centre for Peace and Reconciliation, London, on 30 June 2018 My imperialist grandfather Henry Beckles Willson was sent in 1918 to Palestine to decommission Read more…
Called after Ornina, goddess of music in Mesopotamia and ancient Syria, our ensemble is leading a revival in the tradition of female music-making by women in the Arab world. In the courts of Baghdad, Cordoba, and Medina women were highly trained in musical composition and performance, as well as in Read more…
Oudmigrations is an internet-based project dedicated to the journeys of ouds, their histories, and the stories attached to their makers, players, and owners. I developed the research thanks to a Major Research Fellowship from the Leverhulme Trust, and worked in collaboration with musician, luthier and researcher Karim Othman-Hassan. When we launched in April Read more…
In Summer 2017, in collaboration with Francesco Iannuzzelli, I put together a concert to compliment an exhibition of photography by Steve McCurry. The exhibition’s primary selling point was the famous photograph of Afghan refugee Sharbat Gula. Rather than directly entering the debate about media exploitation of the dispossessed, we decided Read more…
I had the privelage to study composition with Ross Daly, under whose guidance I learned how to write in a modal idiom, and in a range of genres typical of the Ottoman era and broad west Asian region. One of these genres is the saz semai, which has a metre Read more…
In December 2015, in collaboration with Stavroula Constanti, I organized three concerts as fund-raisers for ProActiva Open Arms, a Spanish NGO working to save lives in the Mediterranean. We were also happy to be selling the celebrated cookbook Soup for Syria in support of the same cause. The beautiful image of a Read more…