Scottish Voices

For several years I was a regular guest artist with Graham Hair’s ensemble and concert series Scottish Voices. It was in this context that I presented Kurtag’s The Sayings of Peter Bornemisza Op.7 with Jane Manning.                               Read more…

London 1988

I composed ‘Talking about Tatyana’ when I was a student at the Royal Academy of Music in London. It is an oblique homage to Tatyana Nikolayeva, the pianist who premiered Shostakovich’s 24 Preludes and Fugues. It’s a fugue, and I scored it for clarinet trio. Why? I don’t remember!  

Workshops

Building on my courses in Intercultural Performance run at Royal Holloway, I now lead music workshops for instrumentalists, vocalists and those who just want to have a go at making music in a group. Workshops vary in aim: in the case of Today is Good! (weekly sessions, ongoing) and Welcome Read more…

Academic teaching

I have worked in full-time academic teaching since 2000, when I began as a lecturer at the University of Bristol. I was Professor of Music at Royal Holloway, University of London until September 2019, and now I am Professorial Research Associate at SOAS, University of London. My teaching has ranged Read more…

Articles and book chapters

Articles in scholarly refereed journals ‘Bulgarian Rhythm and its disembodiment in Kurtág’s The sayings of Péter Bornemisza’, Studia musicologica XLIII/3-4 (2002), pp. 269-280. ‘To say and/or to be? Incongruence in The Sayings of Péter Bornemisza op.7’. Music Analysis 22/3 (October 2003), pp. 315-338. ‘”Behold! The long-awaited new Hungarian opera has Read more…