Compositions
Album release: A Thousand And One Hopes
While composing these tracks I was asking myself where we can find hope today, living in such a tortured world.
While composing these tracks I was asking myself where we can find hope today, living in such a tortured world.
“Musician Beckles Willson (Orientalism and Musical Mission) scrupulously traces the history of the oud—a short-necked, fretless stringed musical instrument—from its first written mention in ancient Persia to the present day. An instrument long associated with bereavement (an early fable holds that a grieving father constructed it from his deceased son’s Read more…
For a long time the oud was disparaged in Iran, even though the Sassanian empire was fundamental to its development centuries ago. One key to its twentieth-century revival was the musician Mansur Nariman. I recently recorded some of his short pieces.
I was booked to play oud in Roxanna Panufnik’s opera Dalia, the story (libretto by Jessica Duchen) of a refugee in the UK, who finds her way into the hearts of local people through hr passion for cricket. The opera explores the kindness but also the hypocrisy of English society, Read more…
Rachel Beckles Willson · No Sacred Place I was asked to write a piece exploring the idea of place, in sound. In response, I examined how a place is not only as a physical location, but also a trigger for experience which can be expressed in sound. I used Read more…
Are you interested in learning oud? I teach Arabic, Persian and Turkish traditions as part of my affilliation with the Royal Northern College of Music, where I am Honorary Research Professor. Feel free to get in touch and arrange a consultation lesson.
What happens to our secrets? What happens to our hidden stories? Eventually they find their way out. Unwept Tears began as a story and became a piece of music before turning into a film. Text and music by Rachel Beckles Willson Narration, oud, udu and sampled voice: Rachel Beckles WIllson Read more…
I am honoured to have been invited to join Kirill Gerstein in the distinguished online forum for leading thinkers hosted by Kronberg Academy on 20 May, 5pm BST (6pm CET). “Sound journeys with the oriental lute”. What can Europeans learn from listening to the oud? Something about difference and cross-cultural Read more…
I am thrilled to have won the Frances Densmore Prize for my article “Orientation through Instruments: The ʿūd, the Palestinian Home, and Kamīlyā Jubrān” in the world of music (new series), vol. 8, no. 1, 2019. This prize is awarded annually by the American Musical Instrument Society for the most Read more…