I composed this mixed-media work for bassist James Banner. It responds to the radical uncertainty of life during a pandemic, particularly as it has hit musicians. In the first part, ‘Playing on, nevertheless’, I explored fragmentation and playful resilience: a simple swung bass melody finds itself haunted by wails and Read more…
What happens to our secrets? What happens to our hidden stories? Eventually they find their way out. Unwept Tears began as a story and became a piece of music before turning into a film. Text and music by Rachel Beckles Willson Narration, oud, udu and sampled voice: Rachel Beckles WIllson Read more…
A wry hearing of a kitchen in 1950s England
My compositional work had great support this month as I was privelaged to have a residency at The Red House, formerly the home of Benjamin Britten and Peter Pears. I stayed in Cosy Nook, the cottage of Nellie Hudson, Britten and Pears’ housekeeper. It had a beautiful acoustic, and I Read more…
As part of the SOAS Summer School I am thrilled to lead an experimental online course in modal creative work
Creative Migrations with the Oud: Technology, Memory and Musical Storytelling.
An opportunity to present one of my own compositions, Acem Kurdi Saz Semai, live for the BBC, with a mysteriously dramatic background – not really in line with the melancholy of the piece! Please contact me if you would like a copy of the score.
A concert of Ottoman court music along with my song cycle “Sing no Sad Songs with Me”, in the elegant Reid Concert Hall of Edinburgh University.
Un “Liederkreis” tra il Tamigi e il Bosforo Sonorità lontane tessute con ricordi di donne Poesie di Christina Rossetti Musiche di Rachel Beckles Willson Musicisti: Rachel Beckles Willson (voce, oud), Ciro Montanari (tabla), Kostas Tsarouchis (contrabbasso), Evgenios Voulgaris (yayli tanbur) ‘Sing no Sad Songs for Me’ nasce dall’incontro tra la poesia Read more…